This film breathes life (of sorts) into the post-apocalyptic-road-warrior genre. Denzel Washington is one seriously cool dude as he slashes his way West on foot through a blasted landscape with his secret personal cargo.
All in Fantasy
Enki Bilal's IMMORTAL
Next time someone says, “Yeah, Avatar was great, but the story sucked,” suggest this film instead. The story doesn’t suck.
Joss Whedon's “SERENITY”
The elements are familiar: Han Solo-style wisecracking captain-with-a-heart-of-gold, rag-tag crew, gorgeous babe good at swordplay and kick-boxing, evil empire, space armadas battling at close quarters, and — I kid you not — flesh-eating outer space zombies.
Wes Anderson's THE FANTASTIC MR. FOX
This is a very funny and beautifully prouduced piece of whimsy. The characters are interesting, the story is clever, the dialog is witty, and the voice performances are superb.
Timur Bekmambetov's DAY WATCH
I see elements from The Matrix, Lock, Stock and Two Smoking Barrels, and Resident Evil. And vampires, of course.
Sam Raimi's “DRAG ME TO HELL”
Sam Raimi’s DRAG ME TO HELL is fitfully entertaining. But it commits what I consider the unpardonable sin for a horror movie:
Mamoru Hosoda's “THE GIRL WHO LEAPT THROUGH TIME”
At first I thought, “Uh-oh, this is another one of those interminable animes about Japanese high school kids dealing with adolescent angst.” Boy, was I wrong.
Don’t be misled. This is one scary movie.
Brian DePalma's “MISSION TO MARS”
I rented MISSION TO MARS expecting a camp classic, a howler, a real dud.
Pierre Morel's TAKEN
This movie is silly, prepostrous, nonsensical, and the plot has more holes than the strainer I use Sunday mornings to defrost frozen blueberries when I bake muffins.
I loved it.
The Polish Brothers' NORTHFORK
This is a beautiful, entrancing, enigmatic, and mesmerizing movie about death.
Quentin Tarentino's INGLOURIOUS BASTERDS
This is some movie. It’s scary, emotionally draining, funny, exciting, tense, thoughtful, violent, whimsical, cruel, and in a few places, just plain weird.
Peter Docter's UP
I’ve seen this movie twice so far. I’d like to see it again in the theater before it leaves. Why? I just enjoyed it so much. It’s funny, touching, exciting, screwball, warm, lovely, and just plain entertaining.
Alex Proyas' KNOWING
In KNOWING director Proyas (Dark City, I, Robot, Garage Days) takes disparate elements (end of world, numerology, randomness vs. determinism, single father raising son alone, calamity, Nicolas Cage, and some of the most visceral and amazing special effects I’ve seen since Benjamin Button) and weaves them into a mix you’ll either love or hate.
Although visually arresting, I thought Tarsem Singh’s THE CELL was inuman, inhumane, and tawdry. THE FALL is also visually gorgeous. It’s also clever, imaginative, and touching.
Mamoru Oshii's “THE SKY CRAWLERS”
Wonderfully animated, this moody anime adventure combines elements of 1984 (perpetual warfare), Blade Runner (androids with fuzzy memories), Royal Space Force: The Wings of Honneamise (alternate history and retro-futuristic aircraft), and Dark City (constant recycling of character experiences and events).
The “invisible aliens among us” story has been done many times before. This one focuses less on wild histrionics than continually escalating terror.
David Fincher's THE CURIOUS CASE OF BENJAMIN BUTTON
The special effects are the most impressive I’ve seen since Peter Jackson’s King Kong.
Timur Bekmambetov's WANTED
Talk about no redeeming social value! But it’s great fun.
Lilo & Stitch
This movie is one of the sweetest movies I’ve seen in years. And I mean that as a sincere compliment.